This piece was originally written for the Fall 1991 Theatre Cornell production of The Paranormal Review. Shortly thereafter, it was expanded and used as a wedding march in Bacchanalia Productions’ Prelude to a Kiss.
Instrumental.
© & 
2007, 1991 Mark S. Meritt
This piece would eventually find its themes used in “Abduction,” Mark’s Turner Classic Movies 4th Annual Young Film Composer Competition submission.
Instrumental.
© & 2007, 1991 Mark S. Meritt
This piece was originally written for Bacchanalia Productions’ Prelude to a Kiss. It was later used in the chorus of the song Latinize.
Instrumental.
© & 2007, 1991 Mark S. Meritt
This piece would eventually find its themes used in the score for the musical The Right Circles.
Instrumental.
© & 2007, 1991 Mark S. Meritt
This one-act musical was written as a final project for a course in the history of theatreat Cornell University during Mark’s undergraduate studies. It based on one of the “mimes” of Herondas, short theatrical pieces written to be performed as one-person street shows in ancient Greece. Mimes in general were centered around the notion of imitating a situation or person and often had the performer playing multiple roles. Herondas in particular focused on representing character in his pieces. In this mime, a matchmaker attempts to convince a housewife to leave her husband.
There are currently no viable recordings available.
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